About
Why an international Christian label exists, and what we believe it is for.
In the beginning was the Word, not as silence but as sound becoming world. Music continues that same movement, making the unseen audible, in one language after another.
Worship has no native tongue. What is written in Lagos can be sung in Manila, and a melody born in a small room can carry further than the person who wrote it.
Before Logos, I spent close to twenty years in international artist management. I ran a bureau that negotiated thousands of deals, worked with producers whose records reached billions of streams, and at its peak coordinated hundreds of live shows a year across the world.
I learned how the industry really works from the inside: how contracts are written, where artists lose money without noticing, and how much of a career depends on who picks up the phone for you. I also learned what that world costs a person.
I left it out of conviction, not because it stopped working. Logos exists because the same knowledge, the negotiating, the release strategy, the network, can serve music that is written for a different reason. What I once did for artists chasing charts, I now want to do for people writing worship in languages the industry never bothered to learn.
We work from one conviction: the gospel belongs to every nation, not to one culture wearing a single sound. Some of our songs are written for a congregation to sing together. Others are written for someone who has never set foot in a church, and reach them through a playlist, a film or a friend. Both matter here, and a Yoruba choir, Nordic restraint, a Tagalog melody and Nashville songwriting all carry the same weight.
Logos Music Group exists to give artists outside the usual industry centres a real home. Fair terms written in plain language, distribution that actually reaches their country, publishing that collects what they are owed, and a community of musicians who share the same calling across five continents.
Contemporary Christian music in the widest sense: pop, folk, hip hop, gospel and worship. Some songs are written for a congregation to sing together. Others are built for a playlist, a car journey or a set of headphones, and reach someone who has never set foot in a church. If a song carries Christ and holds up as a record, it belongs here.
Logos Music Group is an international Christian record label and music publisher representing worship and gospel artists. We work across languages and continents rather than from a single national market.
Yes. You remain the legal owner of your masters and your compositions. Logos receives an exclusive licence for an agreed term, after which all rights revert to you automatically.
Yes. Artists from any country and any language can submit a song through the contact page. Every submission is listened to by a person, not filtered by an algorithm.
Nothing upfront. We earn only from a share of the revenue your music generates, and any cost we advance is agreed with you in writing before it is spent.
The label works in English, Dutch, German and Spanish, and releases music in any language an artist writes in, including Portuguese, Yoruba, Tagalog and Swahili.
No. Many worship writers lead a congregation, hold a job or serve in ministry alongside their music. We plan releases around real lives.
The label handles the recording: distribution, release strategy and promotion. Publishing handles the song itself: registration, royalty collection, church licensing and sync placement. Most artists benefit from both.
From accepted demo to release is typically eight to twelve weeks, which allows time for production, artwork, registration and platform delivery.
Logos Music Group is a new label, and that is your advantage. Our first artists receive the strongest terms we will ever offer and a real say in what this label becomes.
Apply as a founding artist